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Historical documentation of the apparition

The primary historical documents supporting Our Lady of Guadalupe's apparition account are, one, the Nahuatl-language Huei tlamahuiçoltica ("here it is recounted"), a tract about the Virgin which contains the aforementioned Nican mopohua, and which was printed in 1649; two, a Spanish-language book about the apparitions titled Imagen de la Virgen María ("Image of the Virgin Mary"), printed in 1648;three, a seventeenth-century engraving by Samuel Stradanus which used the Virgin's image to advertise indulgences; and four, the Codex Escalada, a pictographic account of the Virgin on Tepeyac, printed on deerskin and said to date back to 1548.

The apparition account is also said to be strengthened by a document called the Informaciones Jurídicas of 1666,which is a collection of transcribed oral histories gathered near Juan Diego's hometown of Cuautitlan:oral histories are considered to be important in cultures without a strong written tradition. In this document, various persons reaffirmed, in interview format, basic details about Saint Juan Diego and the Guadalupan apparition story.

Problems with documentation of the apparition

Various historians and clerics, including the U.S. priest-historian Stafford Poole, the famous Mexican historian Joaquín García Icazbalceta, and former abbot of the Basilica of Guadalupe, Guillermo Schulenberg, have expressed doubts about the historicity of the apparition accounts. Schulenberg in particular caused a stir with his 1996 interview with the obscure Catholic magazine Ixthus, when he said that Juan Diego was "a symbol, not a reality."

One problem with the apparition tradition is that Juan Diego is said to have met the Virgin in 1531. The first extant account published about their meeting was written by a man named Luis Laso de la Vega in 1648. Some historians and devotees of the Virgin respond that the Nican mopohua was actually written in the 1500's by a man named Antonio Valeriano, and that de la Vega was merely the first person to publish a Nahuatl account of the apparition. The debate over the authorship of the Nican mopohua is vigorous.

When dealing with the argument of the "117 years of silence" between the apparition and the earliest extant published accounts of it, some historians also point to the Codex Escalada, which tells the story of the meeting on Tepeyac and which dates to 1548. Finally, the archived oral histories provide some support for the apparitionists.

There is no explicit mention of Juan Diego nor the Virgin of Guadalupe in any of Zumárraga's extensive writings. In a catechism he wrote the year before his death he clearly stated: “The Redeemer of the world doesn’t want any more miracles, because they are no longer necessary.” His silence and his position on later-day miracles lead some historians to believe that the legend of the Virgin of Guadalupe was started after his death.

Zumárraga's successor, the archbishop Fray Alonso de Montúfar, is said to have commissioned Marcos Aquino to paint the Virgin around 1556, the same year the first Basilica de Guadalupe was built: the church built in 1533 would have been originally dedicated to the Spanish icon. Montúfar sent a reproduction of the image to King Phillip II of Spain in 1570.